L.Q. Jones, the colourful character actor who labored on dozens of Westerns, together with the Sam Peckinpah classics The Wild Bunch and Journey the Excessive Nation as a member of the famed filmmaker’s common posse, has died. He was 94.
Jones died Saturday of pure causes at his dwelling within the Hollywood Hills, his grandson Erté deGarces informed The Hollywood Reporter.
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Jones portrayed ranch hand Andy Belden on 25 episodes of NBC’s The Virginian over an eight-year span, was one of many unhealthy guys who slipped a noose over Clint Eastwood’s neck in Cling ‘Em Excessive (1968) and performed a sheriff on the 1983-84 NBC primetime cleaning soap The Yellow Rose, starring Sam Elliott, Cybill Shepherd and Chuck Connors.
The Texas native additionally portrayed Clark County Commissioner Pat Webb, Robert De Niro’s nemesis, in Martin Scorsese’s On line casino (1995) and nation singer Chuck Akers in Robert Altman’s A Prairie Dwelling Companion (2006), his ultimate credit score.
In a profession that spanned greater than 5 many years, Jones is maybe finest recognized for his flip because the bounty hunter T.C. in The Wild Bunch (1969). He and Strother Martin, as Coffer, “deliver their wicked characters to life with a infantile vitality — they take nice enjoyment from making killing right into a contest as they jockey to assert who has a better physique depend after every bloody encounter.” That’s how a Warner Bros. web site selling the movie describes their performances.
Jones first labored with Peckinpah in 1960 on the short-lived NBC Western Klondike. He portrayed one of many 4 ruthless brothers who struggle it out with Joel McCrea and Randolph Scott in Journey the Excessive Nation (1962) and was a accomplice soldier (and Warren Oates’ brother) in Main Dundee (1965).
He additionally performed no-good characters who meet their premature ends in Peckinpah’s The Ballad of Cable Hogue (1970) and Pat Garrett & Billy the Child (1973).
“Sam was a genius and I liked him, however he was a basket case. He drove all people nuts,” Jones stated in a 2017 interview with Nick Thomas.
On the opposite aspect of the digital camera, Jones directed, co-wrote and produced A Boy and His Canine (1975), a cult black comedy set within the post-apocalyptic 12 months of 2024 that starred Don Johnson and Jason Robards and was based mostly on a novella by sci-fi legend Harlan Ellison.
He was born Justice Ellis McQueen Jr. on Aug. 19, 1927, in Beaumont, Texas, the son of a railroad employee. When he was younger, his mom, Jessie, was killed in an car accident, and he was raised by family.
“I had a horse by the point I used to be 8 or 9 and grew up round powerful rodeo folks — my uncle was into roping — so Westerns have been straightforward and enjoyable,” he stated.
He served within the U.S. Navy and studied legislation on the College of Texas, the place his roommate was future Daniel Boone star Fess Parker. After faculty, he purchased a ranch in Nicaragua to make cash on beans, corn and dairy, however that didn’t go in addition to he had hoped.
Parker had moved to Hollywood and had appeared in just a few movies when he despatched his faculty buddy a duplicate of the Leon Uris novel Battle Cry, which was about to turn out to be a big-budget Warner Bros. struggle film directed by Raoul Walsh. Parker was enjoying a soldier within the adaptation.
“Fess inspired me to return out and drew me a map on the again of a laundry-shirt stuffing exhibiting the way to get to the studio,” he recalled. “Inside two days of arriving, I had the a part of [Pvt.] L.Q. Jones in Battle Cry and doubtless would by no means have been within the enterprise had it not been for Fess.”
McQueen favored the character’s title a lot, he determined to undertake it as his stage title.
The newly minted L.Q. Jones saved extraordinarily busy after that, showing on such exhibits as Cheyenne, Gunsmoke, Laramie, Wagon Prepare, Lassie, Rawhide, Johnny Ringo, The Large Valley and Perry Mason — generally doing two or three sequence per week — and in movies together with Goal Zero (1955) — his first of his many pairings with Martin, one other Peckinpah common — Elvis Presley’s Love Me Tender (1956) and Flaming Star (1960), Don Siegel’s Hell Is for Heroes (1962) and Walsh’s The Bare and the Lifeless (1958).
He stated Stanley Kubrick provided him the function of Main T.J. “King” Kong that went to Slim Pickens in Dr. Strangelove or: How I Realized to Cease Worrying and Love the Bomb (1964), however he was “tied up with one other image” and needed to cross.
Engaged on a Peckinpah movie might be a problem, he famous in a wide-ranging interview for the web site Digital camera within the Solar.
“In case you’re not standing in the identical place Sam envisioned it a thousand occasions for the 12 months — and he’s not informed anyone what it’s — however if you happen to’re not there in that individual place, he’s livid since you haven’t carried out your job proper in his estimation. That indisputable fact that he hadn’t informed you something doesn’t make a distinction,” he stated. “And it doesn’t make a distinction whether or not you’re Invoice Holden or an additional. These of us who’d labored with him — you discover he had a gaggle that labored with him his entire profession — simply discovered the place to be, pondering the way in which Sam would suppose.”
Within the mid-’60s, he and actor Alvy Moore fashioned the manufacturing firm LQ/JAF, they usually made 4 movies: The Satan’s Bed room (1964), which Jones additionally directed; The Witchmaker (1969); The Brotherhood of Devil (1971), which he co-wrote; and A Boy and His Canine, which he stated served as George Miller’s inspiration for The Street Warrior.
“After doing A Boy and His Canine, I had an entire bunch of gives to direct and extra money than it value to make the image, for chrissakes,” he stated. “However I couldn’t see working all that point and all the hassle to make that. So I simply saved saying, ‘No,’ and I lastly simply stated, ‘To hell with it,’ and simply stopped and went on with the performing. As a result of by then I may fairly properly choose and select what I wished to do.”
Survivors additionally embody his youngsters, Randy, Steve and Mindy.
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