Mulenga Kapwepwe, founding father of the Ladies’s Historical past Museum of Zambia posed a query in 2022 to a small group of youthful tech fans in Zambia: Can one thing referred to as “blockchain know-how” supply any new usefulness for the preservation of historical past? She had began a brand new initiative aimed toward digital humanities, and interesting with younger individuals excited by know-how who would possibly wish to apply their abilities to the world of arts, tradition, and historical past. The group of builders, designers, and artists she was working with shared their enthusiasm for “web3”, and collectively they mentioned a number of the properties and options of blockchains. So she started to contemplate how they could apply it to a really difficult drawback for African Heritage: artifact repatriation.
Traditionally, many areas world wide have seen their materials cultural heritage housed in European and American museums, elevating complicated questions on possession, historical past, and identification. Within the African context, this difficulty is especially pronounced: an estimated 90% of Africa’s materials cultural heritage is now positioned within the West, in response to the 2018 Sarr and Savoy report The Restitution of African Cultural Heritage: Towards a New Relational Ethics1. Whereas discussions round bodily repatriation have continued for years, geopolitical and logistical complexities typically make tangible steps towards decision tough.
The group had an thought: if the bodily repatriation of artifacts is simply too sure up in geopolitical, cultural and logistical challenges, maybe it will be doable to create a digital solid of the artifacts as a viable different. By linking a digital artifact to its bodily unique, this methodology would possibly seize and evoke the same connection to heritage, creativity, historical past, and the invaluable information and classes of the previous that museum patrons expertise in particular person, whereas additionally providing a brand new perspective on the bodily artifacts—forming progressive methods to attach with cultural heritage. With the proper supporting know-how, African artifacts presently locked away in European and American museums may change into accessible to Africans whose ancestors took half in creating them.
Digital and augmented actuality know-how has superior sufficient to allow high-fidelity scans of bodily objects, permitting them to be displayed on screens, projectors, or VR goggles in a museum exhibition. Nonetheless, the scanned objects nonetheless want that important property of uniqueness with a view to have a significant sense of provenance linked to the true factor. If artifacts housed in distant museums might be scanned, minted, and exhibited as distinctive, provenance-verified digital gadgets, researchers, curators, and museum patrons may have interaction with the artifacts in new methods. Furthermore, social coordination round these digital artifacts may allow significant interactions, permitting communities and specialists to collectively handle, share, and analysis cultural heritage in new methods.
Think about ticket income from an exhibition on southern African masks in Brussels (or Paris, or London) immediately benefiting communities in Lusaka (or Harare, or Pretoria)—communities with actual, tangible connections to the artifacts. For a lot of group members who might by no means have the chance to see the objects in particular person, this digital entry may permit them to contribute private reminiscences or distinctive cultural context that researchers and anthropologists might have by no means recognized. Such contributions may assist “recontextualize” these artifacts, restoring which means and relevance to gadgets which have typically been displayed with out the voices and views of these most intently linked to them.
By means of the sparks of curiosity that started with this query, the group laid the primary foundational blocks of a brand new strategy to cultural preservation: one which connects the heritage of the previous with the know-how of the current, bringing it to those that maintain it most expensive.
A Historical past Machine
Venkatesh Rao, in a chat titled “bloodcoin”, described blockchains as “a historical past know-how”. They supply a everlasting, accessible medium to inscribe historical past on a ledger that doesn’t fade or distort over time. This makes blockchains an supreme instrument or know-how for museums and anthropologists. Blockchains additionally occur to be an environment friendly strategy to enact “cash” and different methods that perform as mediums of change, unit(s) of account, and retailer(s) of worth. These properties would possibly permit blockchains to change into a medium able to “injecting historical past” into information of worth and possession to protect and acknowledge narratives of historic money owed and reparations.
To discover this potential, Mulenga Kapwepwe, together with Thomas Gondwe, Nhyira Amofa-Sekyi, and Mario Jere, co-founded SummitShare. Collectively, they got down to develop progressive, digital strategies to deal with the complicated realities of historical past. SummitShare’s strategy emphasizes interactive, participatory, and academic experiences—bridging the previous with a digitally fluent viewers and offering significant connections to cultural heritage by way of fashionable know-how.
In the identical method that the web radically remodeled how info spreads, blockchains would possibly rework how historical past is preserved, providing a type of temporal permanence. By creating digital representations of artifacts and inscribing their provenance — their journey by way of societies and time — SummitShare democratizes entry to cultural heritage. Many artifacts in European museums at this time lack full provenance, however dwelling communities might maintain useful context (songs, tales, reminiscences) that might deepen understanding and restore which means. Digital casts of artifacts guarantee this context is preserved whereas additionally enabling heritage communities to share in the advantages these objects generate.
Proof of Idea: Origins with the WHMZ
By means of a collaboration facilitated by the Ladies’s Historical past Museum of Zambia, the SummitShare group engaged with the Swedish Ethnographic Museum to entry their catalog and digital repository of artifacts. This partnership supplied SummitShare with useful sources, together with entry to digital information containing provenance info and preliminary 3D casts of artifacts held within the Swedish museum’s assortment. Leveraging these sources, the group started designing and modeling a 3D digital exhibit that includes artifacts with wealthy historic contexts from Zambia and southern Africa. Past the digital modeling, the venture additionally proposed tokenizing these artifacts to encode and protect their provenance, marking a major step towards the creation of a decentralized digital repository.
Growth and Progress Underneath Ethereum’s Subsequent Billion Fellowship Program
In 2023, Mulenga (as lead of the SummitShare group) joined the Ethereum Basis’s Subsequent Billion Fellowship Program, permitting them to refine the venture. The venture gained useful open-source contributions for good contract and preliminary subgraph design from a pseudonymous contributor, and from Hanan Haj Ahmed, a Palestinian designer, who contributed early work amidst important challenges in Gaza. Daniel Tembo, a talented 3D artist with a background in recreation design, serves because the architect of SummitShare’s digital realm, and crafted digital exhibition environments to carry artifacts to life in immersive digital format.
The Main Women Exhibit: A Mannequin for Digital and Bodily Collaboration
All through 2024, the SummitShare group has ready for its inaugural exhibit, furthering analysis on native repatriation efforts and forming key partnerships, together with with the Octant Accelerator to scale the platform. This exhibit, titled Main Women, focuses on the lives and artifacts of six Zambian ladies—trailblazers from numerous societal roles, akin to generals, political activists, and tribal leaders. These artifacts present distinctive historic insights and inspiration for contemporary society.
With SummitShare, museums and galleries can create exhibitions with each bodily and digital components, every linked by way of good contracts. This permits for distinctive synergies, akin to ticket gross sales for European exhibitions supporting cultural packages in Africa, combining digital artifacts with tangible advantages for heritage communities.
An exhibit on SummitShare isn’t just a set of photos and fashions of artwork items or objects – they’re linked to a set of good contracts that present a novel tag to the item and permit it to be represented on the web of worth. With the SummitShare good contracts, we get the provenance and uniqueness wanted for that significant connection to a digital merchandise.
Furthermore, the platform additionally makes use of the identical set of contracts to handle ticket gross sales in addition to interactive options of the exhibit that relate to the digitized objects. Curation charges, proceeds, advantages, and the connection between them are all structured to return worth to all custodians of heritage and cultural worth, traditionally and geographically.
The Main Women exhibit holds a particular affiliation with Zambia’s Gwembe Valley group, highlighting the cultural origins of the artifacts. The objective is to make sure that the Gwembe Valley group immediately advantages from the exhibit’s proceeds and engagement.
Earlier than launching this exhibit, the SummitShare group met with Gwembe Valley leaders to know their preservation strategies, governance, and information-sharing practices, which knowledgeable how the platform integrates conventional governance into decision-making processes.
The Gwembe Valley’s help extends to 150 communities inside their jurisdiction, providing an unbelievable alternative for SummitShare to succeed in a broad, interconnected viewers.
Ahead-looking Historical past
SummitShare isn’t nearly African heritage, it’s about utilizing human coordination to unravel the worldwide difficulty of cultural disconnection. By putting historical past and tradition onchain, we create an immutable file and a bridge between previous and current, preserving legacies whereas empowering heritage communities.
At its core, SummitShare focuses on provenance (info) and individuals. These guiding ideas drive its mission to bridge gaps in entry, information, and illustration. This journey is considered one of analysis, experimentation, and the design of methods that allow democratized entry to cultural and financial parts which have lengthy been out of attain.
The Main Women Exhibit is now out there for early entry to supporters. In case you’d like to have interaction with the SummitShare initiative and contribute to the Gwembe Valley group, you’ll be able to be taught extra in regards to the digital exhibit and safe your entry forward of the official opening on December thirteenth, 2024, on the SummitShare web site.
In case you work within the museum, college, or cultural heritage house and wish to know extra about SummitShare, or wish to collaborate on an exhibition, please contact information@summitshare.co or attain out to nextbillion@ethereum.basis.
Collectively, let’s redefine cultural heritage for a linked, decentralized world—one which values shared tales and inclusive innovation.
In case you’re a pacesetter, creator, or builder engaged on human-centric challenges, we’re in search of your story! Now you can apply for Cohorts 5 & 6 of the Subsequent Billion Fellowship. Purposes for Cohort 5 will likely be thought of till 12 January 2025
