It appeared shaky at one level, however Bass Canyon pulled off a leviathan feat. Excision’s annual takeover of the Gorge Amphitheatre in Washington overcame lightning and wind storms, mid-show cancellations and the specter of a spoiled weekend to ship all the things it promised.
The emotional—and borderline literal—whirlwind began throughout Saturday’s Kill The Noise set. The 21-year veteran was pressured to abruptly finish his set and knowledgeable followers of an impending lightning storm.
“Bass Canyon, I’m sorry however there’s lightning within the space,” Kill the Noise informed followers. “You understand how that s–t goes.”
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An alert subsequently broadcast on the Canyon Stage display screen directing concertgoers again to their automobiles for shelter. There was a collective hesitancy from followers who noticed darkish clouds close by however no lightning. Then it rained.
Followers took shelter as chilly, moist globs poured overhead. Campers filed out of the venue and returned to their campsites awaiting additional particulars. An replace was despatched not lengthy after informing attendees the present was on.
Followers began their second spherical journey from the campsites to the amphitheater with numerous levels of enthusiasm. Roaring thunder and crackling lightning bolts sparked skepticism but it surely appeared the storms have been transferring away from the venue.
Day two picked up with its commonly scheduled programming. Kompany and Dion Timmer’s lightning-infused b2b was a once-in-a-lifetime encounter. Head-banging as lightning streaked by the sky was a surreal and unforgettable expertise.
@dancing.astronaut Unreal to seize this. From day 2 at Bass Canyon simply earlier than it was canceled because of the incoming storm (🎥: @Chase & Chelsea, h/t @edmtrain) #basscanyon #lightning #edm #bassmusic
♬ unique sound – Dancing Astronaut
Kompany and Timmer accomplished their set with out incident and it appeared the Bass Gods have been happy. Then Eptic arrived. The “Tactix” producer drew followers in with an elaborate introduction and lengthy countdown. On the climax of the intro, Eptic commanded the viewers to, “Open up the f—ing pit!”
“Don’t open it up,” a second voice demanded.
@rochellelynns Bass canyon 24’ Day 2 ending. @EPTIC was about to open up the pit, however acquired stopped by the fireplace marshals. #basscanyon2024 #basscanyon #excisionheadbangers #basscanyonstorm @Excision Presents
♬ unique sound – Rochelle Lynn
Lighting was now not a priority however a wind storm now blowing by the venue was. A set-piece on the mainstage broke off and swung round, elevating considerations about different constructions within the venue and prompting employees to direct folks again to their automobiles. Dejected followers walked again to their campsites to evaluate the damages attributable to the wind, and have been quickly met with the accountable however disheartening information that day two was cancelled.
Mom Nature dealt a crushing blow to followers on Saturday. On the top of disappointment, fortifying campsites and considerations for full-blown occasion cancellation, optimistic chatter unfold by the campsites. Habstrakt, who was scheduled to carry out a b2b with JOYRYDE after Eptic’s set, was headed to the camp stage for a make-up efficiency. It was the weekend’s first reminder of why Excision’s dedication to the fan expertise makes him a highly-regarded occasion curator.
Habstrakt, accompanied briefly by JOYRYDE cameo, and Viperactive rescued the night camp stage performances after their scheduled units have been scrapped.
Turk Photographs
Excision’s workforce and the performing artists deserve repeat standing ovations. It could have been disappointing however forgivable if concessions have been made after day two’s partial cancellation. That didn’t occur. The artists went above and past to ship the weekend promised to followers. Each mainstage act whose set was canceled on Saturday stayed put to carry out on Sunday.
A collective sigh of aid rang by the Gorge’s campground at a windy Sunday midday when a notification alert hit the Bass Canyon app. The weather have been calming and the present would proceed with welcomed amendments, and the pageant’s gates opened early to accommodate the revamped Sunday lineup. The ultimate product was an insanely stacked finale. The mainstage featured Zingara, Ray Volpe, Excision’s “Detox” set, Eptic, Kai Wachi, Wooli, LSZEE, Zeds Lifeless and Excision’s throwback set in succession.
Saturday might have been a catastrophe. However due to the lengths taken to treatment day three, weekend campers can look again on nature’s intrusion as a short lived setback that introduced folks collectively. On that notice, it’d be a disservice to not applaud the pageant’s attendees. Campers rushed to assist safe others’ campsites, share laughs amid the distress and increase morale with renegade units. A particular shoutout to our neighbors, who kindly invited us to look at Again to the Future on their campsite projector wall.
Excision’s industry-leading visuals actually went Hollywood this weekend. Friday’s headliner opened with a model new Transformers-themed intro, adopted by the information that Excision had collaborated on a venture with the brand new Transformers One movie premiering on September twentieth. His industry-leading lasers and graphics are outdated information by now, however a dramatic enhance in pyrotechnics made Bass Canyon really feel like a grand spectacle.
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Levity’s fast rise was one other day one spotlight. EDM.com Class of 2024 trio maximized their marquee spot on the Hilltop Stage, delivering a contemporary and unapologetically enjoyable efficiency. ATLiens and Ganja White Evening have been amongst Friday’s nice showcases.
The second-ever efficiency of CloZee and LSDREAM’s joint venture was the weekend’s standout set. LSZEE was refreshingly distinctive, delivering a psychedelic-world bass fusion that by no means felt misplaced. The duo is must-watch viewing and needs to be a precedence on any personally curated pageant schedule.
Divisuals
Wooli and Zeds Lifeless have been two different highlights from Sunday. Wooli’s confidence and progress over the past two years are noticeable. His visuals stand by itself —no small feat when showing on an Excision lineup—and his crowd management is top-notch. The dubstep star blew followers away by dropping an unreleased GriZ collaboration, however not earlier than tempting destiny with a dramatic voiceover hilariously condemning the weather.
“F–ok wind. And positively, f–ok lightning!” the cinematic narrator proclaimed throughout Wooli’s intro.
@blakeheartsill So glad @Wooli was in a position to play his set 🙏🏻🙏🏻 #rave #edmfestival #ravetok #edm #pageant #basscanyon #wooli #dubstep #griz
♬ unique sound – Blake Heartsill
In the meantime, Zeds Lifeless’s set was a wild rollercoaster. It was at occasions thrilling, emotional, unhinged and with their “Pure Creativeness” finale, downright stunning. And talking of unhinged, a particular shoutout to YOOKiE for his or her ridiculous, meme-worthy set on Sunday.
Group Excision continues to boost the bar annually. It’s no shock they’ve curated one of the welcoming fan cultures in digital dance music. They lead by instance. The Bass Canyon artists, followers and employees got here collectively to beat a probably catastrophic weekend and ship a present that exceeded expectations.
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