Above & Past’s Jono Grant has caught the synthwave bug.
Working in secret alongside longtime buddy and fellow trance producer Darren Tate, Grant has formulated a brand new collaborative alias, JODA. Dropping their debut monitor, “We Discover Ourselves,” Tate and Grant say the only is impressed by 2011’s Drive soundtrack, one of the crucial acclaimed movie scores of the trendy period.
The working relationship between Grant and Tate was first established almost twenty years in the past. In 2003, they linked within the studio and produced two melodically dense, uplifting trance singles, “‘Let The Mild Shine In” and “Nocturnal Creatures.” As Grant’s profession started to take off with Above & Past and Tate’s solo profession as DT8 prospered, the 2 discovered themselves on completely different paths.
Nevertheless, in 2019, a set of distinctive circumstances drew the 2 creatives nearer as soon as once more. Tate had lately signed new music from DT8 to Above & Past’s fabled Anjunabeats imprint. In the meantime, Above & Past themselves have been approached with a brand new artistic endeavor: the chance to attain their first movie.
“I am musical, however I’ve by no means completed a rating earlier than, which might be fairly an endeavor. And I knew Darren was massively skilled at doing that,” Grant recalled. “I’ve at all times admired what he does in his movie work. So my first thought was: why do not we do it with Darren?”
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In scoring The Final Glaciers collectively, the 2 ended up discovering that there remained fairly a little bit of artistic synergy left to discover. Their new single “We Discover Ourselves,” which options vocals from Grant himself, is definitely proof of that.
Among the many monitor’s chief traits is its use of the ARP Odyssey sound within the bassline, a legendary synthesizer courting again to 1972. The synth’s distinctly “retro” sonic consistency has made it a favourite amongst synthwave producers the likes of Kavinsky, whose productions for the Drive soundtrack impressed JODA enormously.
“Darren had the thought of utilizing the ARP Odyssey for the bass sound,” Grant added. “It sounds very retro. We have been listening to stuff just like the Drive soundtrack by Kavinsky. So the tempo of the monitor truly comes from that fashion of music. We would not have ended up at 110 BPM if it wasn’t for listening to that form of music.”
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Web site: joda-music.com
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Twitter: twitter.com/JODA_music
Spotify: anjunabeats.ffm.to/jodasptfy.OYD
