Electronic-Rock Artist Blue Stahli Composes Original Soundtrack for Ubisoft’s "The Crew: Motorfest"

Blue Stahli is again with one more beautiful soundtrack, this time bringing his genre-defying musical prowess to Ubisoft’s extremely anticipated racing sport, The Crew: Motorfest.

Beloved for his genre-blurring compositions and high-octane manufacturing type, Stahli takes gamers on a high-speed journey that enhances the adrenaline-pumping expertise of the brand new sport. The title immerses lovers in automobile tradition and presents thrilling driving escapades in a vibrant open world located in O’ahu, Hawaii.

Stahli’s composition credit for The Crew: Motorfest embrace 24 out of the soundtrack’s 28 tracks. All through, he revs up an explosive mix of genres and sounds, drawing inspiration from iconic ’80s video games. The soundtrack presents an unparalleled fusion of components, because it displays his numerous influences, which vary from gritty steel to ambient electronica.

From the rock-infused “DILLIGAF” and the midtempo-inspired “Name 911” to the tribal and cinematic sounds of “Welina Mai,” the sport’s soundtrack is a real stunner. It doesn’t mark Stahli’s first foray into the realm of gaming both, because the long-standing artist has labored on a lot of fashionable titles like Cyberpunk 2077, Name of Responsibility: Fashionable Warfare and Useless Rising 2.

Take a hearken to the soundtrack for The Crew: Motorfest under.

Influenced by cyberpunk classics, Stahli’s distinctive method blends old-school methodology with a up to date edge. His influence extends far past gaming, with a big presence in movie, tv and the music trade at giant. He has additionally launched 11 studio albums all through his illustrious profession.

“Composing music for Ubisoft’s The Crew: Motorfest has been a tremendous and surprising journey! Whereas I’ve accomplished quite a lot of music that’s been in video games and trailers, that is the primary time I’ve composed a full rating to image,” Stahli mentioned of his course of whereas recording the soundtrack. “I create music in what some think about to be a extremely unconventional means, doing completely every part in a tracker reasonably than a conventional DAW (I take advantage of the fashionable tracker Renoise).”

“Doing this rating looks like such a full circle second, each as a result of trackers have such a legacy with sport music from the 80s and 90s, and likewise as a result of I flashback to once I first began messing with digital music in an outdated DOS tracker with 8bit sounds and dreaming about doing music for a residing,” he continued. “I can’t imagine that is actual, and I’m massively grateful to the crew at Ubisoft!”