Different Press teamed up with Fiddlehead for unique clear and violet pinwheel vinyl of Demise Is Nothing To Us, restricted to 500 copies. Head to the AP Store to snag yours.
Fiddlehead are getting ready to unleash their third studio album, Demise Is Nothing To Us, tomorrow (Aug. 18). As their singles have instructed, the album packs a wallop, putting huge hooks alongside gritty bursts which can be assured to go laborious reside. The file is clearly a labor of affection, because the songs are the band’s most dynamic but, traversing by each melodic and aggressive moments. You’ll be singing alongside one minute and eager to plunge into the group the subsequent.
Learn extra: 15 greatest trendy hardcore bands for day one followers
To ring within the album’s launch, Fiddlehead’s Shawn Costa and Nick Hinsch chosen their favourite non-hardcore songs created by hardcore musicians. See their picks under.
Rival Faculties – “Get Middle”
I’d be remiss to not embrace a Walter Schreifels challenge on this record. His ties to hardcore run ineffably deep, by the likes of the almighty Gorilla Biscuits and Youth of In the present day. The tough half, then, was merely deciding on which Walter challenge to incorporate. Sammy Siegler’s (Choose, Facet By Facet, YOT, Civ, and so on) unimaginable drumming turned the deciding X-factor. Whereas “Get Middle” has solely ever seen launch by prolonged editions of their debut album, United by Destiny, the closing minute stands as one among Schreifels’ most interesting recorded moments. The build-up in that remaining chorus is actually excellent in its depth and just about feels like a misplaced Pinkerton-era Rivers Cuomo demo. —Shawn Costa
Purple Sizzling Chili Peppers – “I May Die for You”
“I don’t suppose anybody is usually a good musician at this time until they take heed to punk rock,” says Flea whereas sporting a Unhealthy Brains Quickness shirt in an interview with River Phoenix. Chili Peppers are an ideal inspiration relating to serving the music. The band actually tackle their very own sound of hyper-melodic grooves when [John] Frusciante returns. Guitars grow to be spare, and Frusciante connects all of it by his harmonies. Flea by some means performs probably the most funky bassline whereas carrying melodies. Take into consideration the bassline to “Zephyr Tune” for a great instance. I’d even be remiss if I didn’t point out their interstitial reside jams. This has been a serious affect on the Fiddlehead reside present. To jam is to reside. That is one among my favourite “lovely” Chi Peps tunes. —Nick Hinsch
Foo Fighters – “Ain’t It The Life”
Undoubtedly the largest and most impactful rock band possessing ties to the hardcore-punk scene. With Pat Smear, Dave Grohl, and Nate Mendel bolstering resumes that embrace time spent in Germs, Scream, and Brotherhood, there may be merely no denying the tapestry of hardcore roots woven deeply into the band members’ very musical DNA. This explicit music isn’t the band’s greatest, neither is it a very quintessential observe. Nevertheless, there’s a deeply melancholic character to it that offers it depth and substance. It’s actually one among my favourite Foo Fighters songs. —Shawn Costa
Slint – “Nosferatu Man”
As a fellow hardcore child, I associated strongly to Slint’s story within the Breadcrumb Path documentary. They had been going to hardcore reveals at like 12 years outdated, if not youthful. In truth, they had been so younger they wanted their dad and mom’ assist to hold their amps into the venue, one thing I too wanted performed for me. I went to my first modern hardcore present at Saint Stephens Church in eighth grade, and I haven’t regarded again since. Try the documentary when somebody farts and so they inform Ian Mackaye to shortly contact a doorknob or else get punched. “Fuckin punch me and see what occurs…’trigger I don’t play that shit.” Goddamn do I respect that younger gusto. —Nick Hinsch
The Breeders – “Happiness is a Heat Gun”
Whereas the Breeders’ connection to hardcore is probably not readily obvious at first look, one wants solely look over the liner notes of their debut LP, Pod, to uncover names that must be very acquainted to acolytes of the style. With Steve Albini (Massive Black) engineering the hassle and Britt Walford (Slint, Squirrel Bait) lending his unmistakable and singular drumming abilities to the LP, the file has unmistakable ties to the hardcore/post-hardcore style. “Happiness is a Heat Gun” represents, to my ears, the Beatles at their most musically artistic and lyrically caustic zenith. The Breeders’ cowl of it’s a little bit of a good looking mess. Nevertheless, the spirit of the supply materials shines by, no worse for the damage. —Shawn Costa
Vic Chesnutt – “Debriefing”
Now, Vic Chesnutt himself isn’t actually hardcore associated, however this file options Man Picciotto as producer and becoming a member of in on guitar. “Debriefing” is so cinematic. The guitars sound like they’re screaming out in ache, an attribute of Man’s in Fugazi that I’ve come to understand extremely (see “Repeater” and “Rend It” for some extra screaming). There’s so many lovely and eerie noises happening behind the combination, too. Man actually is a grasp of utilizing the studio as its personal instrument. However please give Vic Chesnutt some love. He’s just like the Flannery O’Connor of music. He’s a kind of musicians that creates a complete world for you in his lyrics, and that’s one thing you gotta put respect on. —Nick Hinsch
Stomach – “Feed The Tree”
I merely needed to embrace this music, largely to pay correct respect to the oft-underrated RIX hardcore legends Verbal Assault. The band was fronted by the inimitable Tanya Donelly, of Throwing Muses, who together with the Gorman brothers, labored to create a few of the catchiest alt-rock materials of the ’90s. “Feed The Tree” stands out as their final crown jewel, and completely encapsulates their penchant for crafting high-end rock melodies. —Shawn Costa
Jawbox – “Inexperienced Glass”
J. Robbins performed bass for D.C. hardcore gods Authorities Concern. They had been one of many first hardcore bands I realized about after the apparent introduction to Minor Menace, Fugazi, and Unhealthy Brains (Unhealthy Brains won’t ever be a New York hardcore band. Don’t even attempt to persuade me). However the motive I write about Jawbox is Zach Barocas. Good God does he groove! I received to see Jawbox in NYC final yr, and my eyes had been simply glued to him. So within the pocket the entire time. Jawbox had been the primary Dischord band to go on to a serious label, adopted by one other favourite of mine, Shudder to Assume. This music is a superb side-B minimize from their major-label debut.
RIP John Stabb. —Nick Hinsch
Sebadoh – “Not Too Amused”
There isn’t a complete lot that must be mentioned right here. Lou Barlow spent his early artistic years taking part in guitar within the bruising Western Massachusetts hardcore outfit, Deep Wound. In his post-Dinosaur Jr. years, Barlow spent the length of his time writing a few of the most seminally necessary indie materials of the ’90s. “Not Too Amused” encompasses a chord development/construction that’s simply recognizable to anybody who listens to the present assortment of bands belonging to the not-so-easily definable style, identified lovingly as “non-core.” —Shawn Costa
CCFX – “The One to Wait”
I feel that is the primary music of my era to come back out of hardcore and grow to be a cult basic. I can image this music in a film. In truth, anyone wants to try this. Are you there, Nicolas Winding Refn? Mary Jane Dunphe sang on this challenge, in addition to in bands like Vexx and Pinocchio (take a look at the Pinocchio music “Gentle Pace Vol. 1”). Mary Jane and I are at all times seeing one another across the neighborhood, and he or she shall be taking part in our upcoming present at Webster Corridor. She has a brand new solo file popping out on fellow hardcore royalty’s label, Pop Wig. —Nick Hinsch
