
“It took a whole lot of balls.” Combine Grasp Mike (né Michael Schwartz) recollects the braveness it took to name up the Beastie Boys, who by the late ’90s have been bona fide rap superstars, and go away a number of messages on Adam “MCA” Yauch’s answering machine. However these have been no odd messages. They showcased Mike’s abilities as a DMC World Champion DJ and Invisibl Skratch Piklz turntable magician. In truth, certainly one of them opens the 1998 Good day Nasty single “3 MC’s and One DJ” with, “Hey yo Adam, what’s up? That is Combine Grasp Mike calling from Sacramento, um, I’ve been eager to hook up with you possibly on some tracks. I received some shit proper right here. I turned my turntables right into a wah-wah pedal. It’s referred to as the tweak scratch.”
Listening to the modern sounds Mike was making along with his information was all it took. MCA and his fellow Beasties Michael “Mike D” Diamond and Adam “Advert-Rock” Horovitz welcomed Mike into the fold and “3 MC’s and One DJ” wound up being the primary single they did collectively. The observe featured manufacturing from longtime collaborator Mario Caldato Jr. (higher often called Mario C), who engineered Beastie Boys’ Paul’s Boutique in 1989 and co-produced 1992’s Verify Your Head and 1994’s In poor health Communication.
The accompanying video, shot “gorilla model” within the dingy basement of 262 Mott Avenue within the Little Italy neighborhood of Manhattan, undoubtedly marked the start of Combine Grasp Mike’s artistic relationship with the Beastie Boys, which might go on till MCA’s premature dying in 2012. SPIN caught up with Mike to look again on the track that began all of it.
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3 MCs, ONE DJ & A SPARK
It was spawned by the phone messages I left to Yauch, proper? That was the start of the track. I used to be doing all these methods within the studio, and the fellows have been gathered across the DJ sales space. I used to be simply doing all types of shit and everyone was simply watching me. Mario, Mike, Adam [Yauch], and Adam [Horovitz] have been there, and I used to be simply dazzling them. We weren’t even recording, I simply began doing a little shit, so they may wrap their head round me and what they’d. Then I grabbed the drum and began scratching the drum by itself. They began freaking out. They’re like, “What the fuck? He’s scratching the drum and it sounds percussive.” Then I finished and I’m like, “You guys ought to rap over this shit. It could be fucking loopy.”
That’s when the sunshine bulb sparked. The sunshine bulb blew up. And so they have been like, “OK, I’ll be proper again.” So Adam, Adam, and Mike disappeared. They received within the automotive and began driving round Manhattan and occupied with concepts and lyrics. Two hours later whereas I used to be recording with Mario, doing the work on Good day Nasty, they got here again and have been like, “OK, we’re prepared.” Me and Mario have been like, “Oh shit, OK.”
THE NEW STYLE
It got here collectively actually quick, like 5 hours. Mario was simply punching me in, and we’re getting all of the tasty components of the scratch, after which Mario made it into track kind. I mentioned, “Why don’t you simply loop all these components? Or simply have me simply go throughout for 2 and a half minutes.” There have been actually no edits. It was like, “Simply file me doing the drum scratch and hold going.”
Then we had that observe. Once they got here in, it was already laid down in order that they went within the sales space and began rapping, “I received the d-double-O-D-double-O-style,” and me and Mario have been one another like, “Oh shit!”
All of them had the verses and simply did it completely. The whole lot was excellent. They actually wrapped their heads round it and actually made it right into a track. Particularly at this level, they’re identical to professionals, ? When it was like, “Combine Grasp Mike, what you bought to say,” that was it. We knew that our dedication to mastery was in full impact.

HE’S CRAFTY
I had no time to actually assume, it was extra pleasure, proper? It was extra like crafting it and being like, “OK, how can we make this higher? How can we hold constructing upon this concept?” I can keep in mind listening to Run-DMC reside on the Funhouse, the “Right here We Go” observe—and large as much as Jam Grasp Jay—that basically lit a match underneath me. So I used to be identical to, “How can I make up my very own model of that, however simply utilizing one turntable?” It simply all type of fell collectively. I used to be pondering to myself, “We’re making an entire superior model of that, however in our personal method.” There was a whole lot of pleasure.
TO THE MOON
I truly flew in from L.A. the evening earlier than we have been to movie the video. We have been occupied with that complete video shoot, me and my supervisor Diane Copeland. I used to be pondering like, “Yo, I can’t simply go in there. I would like one thing further.” I wanted to do one thing and produce one thing, so we went to the twentieth Century Fox prop store, and I used to be like, “Give me an area go well with or one thing I might take.” Me and Di have been wrapping our heads round this. It was like, “What’s gonna be one thing that’s gonna stick within the individuals’s minds?” Then I used to be like, “Give me a jet pack.” Diane, being within the trade, took me to the prop store. We went in there and located one jet pack. It was from the film Enemy Mine with Dennis Quaid and Louis Gossett Jr. We truly rented that out and it was the right factor.
TSA TROUBLE
I keep in mind getting it and it was like, “Oh that is gonna be superior.” The boys had no concept that this was gonna be so fucking nice till this present day. I nonetheless keep in mind checking that jet pack in on the airport. We had bother checking that in on the aircraft. They have been positively questioning that jet pack. We needed to do double screens to get that by. They’re like, “Mr. Schwartz, what’s that for?” I’m identical to, “Oh I’m filming a video. This can be a prop.” So there was an entire state of affairs. It’s like, “Dude, we’ve by no means seen one thing like this. It seems like a fucking jet pack bomb.” However we finally received it by.

POSSE IN EFFECT
Diane additionally received me the NASA jumpsuit made for that, so we have been prepared. We landed in New York, went to sleep that evening, awoke and I received dressed. I used to be prepared to do that. I placed on the jumpsuit after which walked to the rehearsal spot. I stroll in and I’m like, “Oh shit, we’re gonna do a guerrilla-style shoot.” It solely took six of us to make that video. We received there, walked down the steps and the fellows have been all there. I walked in with my jet pack and the fellows checked out one another like “Oh my god.” I knew at the moment they’re like, “Yeah, we received our dude. This man’s gonna match proper in.” They have been high-fiving and every little thing.
ONE STEP AT A TIME
Yauch was like, “OK, you’re gonna begin from the espresso store.” I’m like, “The place the fuck is the espresso store?” It was on the nook of Mott, however he instructed me I needed to stroll all the best way down there and again. And I did that at the least six occasions. I keep in mind after the sixth or seventh take, Yauch pulled me to the facet and he was like, “Bro the way you doing, Mike?” He was checking in on me. I mentioned, “Let’s hold going.” I keep in mind having to guzzle iced espresso on the espresso store to remain awake. We did 10 totally different takes. It took about 4 hours, however the humorous factor is that they ended up holding the primary take. The video confirmed that we don’t conceal behind manufacturing theatrics. We have now all of it there. The whole lot we’d like is there. I’m the CGI. I’m every little thing. I’m all the consequences.
INTERGALACTIC
Daily I get individuals tagging me on it. It’s so loopy. I get sick of it generally. It’s like, “Oh no, once more, once more, once more.” However on the similar time, I’m grateful. I’m glad that it has a particular place in everyone’s coronary heart and I’m very pleased with it, however it’s like, “Man, right here we go once more.” I get tagged on it on daily basis. However I’d say that track made me a family title. It type of mentally scarred individuals within the appropriate method.
WHAT IF
I’m going by a whole lot of waves [regarding MCA’s death] and I give it some thought each different day now. I’m going by waves the place I begin getting in my emotions and I consider what could be if he was nonetheless right here, what could be taking place proper now if he was nonetheless right here and the way a lot we’d be creating collectively. I’d nonetheless be a part of the Beastie Boys. I feel the Beastie Boys would nonetheless be making nice music. We’d have albums upon albums and music and extra movies. I’ve develop into extra harmful as an artist with regards to creating and being intuitive and being tapped in.
THE MCA EFFECT
I consider being related to MCA as a blessing, as a lesson, as simply every little thing, what I imply? I wish to thank him for the chance and inform him that I recognize that he totally trusted me. He hardly ever needed to inform me what to do. He simply knew. He all the time simply instructed me, “Mike, simply do what you do.” In some type of bizarre method, he was type of like a fan of me and what I did. And it was superior. He made me really feel assured. Much more so now. At my age [54], I’m such a insurgent. I exude confidence. I’ve full confidence in myself. My energy of intention is so magnified proper now. No matter I take into consideration and what I need I’ll obtain it. Till the wheels fall off, I’ll obtain greatness.
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