Rio de Janeiro, 1970. Underneath a navy dictatorship.
It’s sunny on the seaside when Eunice notices the helicopter’s sounds. Her youngsters are laughing and having a pleasant day — they only discovered a small, cute stray canine that they wish to take residence —, the seaside is crowded with individuals and Eunice is swimming within the sea. On the floor, this could possibly be simply one other nice day in Leblon, 1970, however the first minutes of I’m Nonetheless Right here inform us straight away that this isn’t the case. Each second of tenderness, happiness, or normality that occurs in the course of the first half hour of the film is surrounded by this impenetrable, oppressive feeling — unhealthy issues are taking place to individuals throughout Brazil, and one thing unhealthy is about to occur to this household as effectively.
Primarily based on the autobiography of the identical title written by Marcelo Rubens Paiva, I’m Nonetheless Right here tells the story of the Paiva household: Eunice Paiva (Fernanda Torres for many of the film, Fernanda Montenegro in the direction of the top,) Rubens Paiva (Selton Mello), and their 5 youngsters. After Rubens is taken by navy brokers for interrogatory and by no means returns, Eunice and the kids are left behind to take care of rather a lot by themselves — beginning with the excruciating silence relating to Rubens’ whereabouts.
I am Nonetheless Right here. Pictured: Fernanda Torres as Eunice, Selton Mello as Rubens, Valentina Herszage as Veroca, Barbara Luz as Nalu. All Rights Reserved
The film makes use of its first half hour to let the viewers enter the Paiva’s home and turn into immersed within the 1970’s local weather. It exhibits some good, particular issues — vinyl data being performed right here and there, Eunice’s cheese soufflé bringing that cozy happiness, all of the dancing at events with associates and siblings, and all of the folks that come and go from their residence. The home is so energetic, and there’s a lot to do and a lot laughter and harmless pleasure above the upcoming darkness that approaches them. The film exhibits a number of the unhealthy issues from the get-go as effectively — one of many older siblings is violently inspected by cops alongside along with her associates in a quick however efficient scene that tells rather a lot concerning the current dictatorship, which is all around the information, and it is also in the way in which Rubens and his associates discuss, it’s on the seaside when the Paivas and their family members are taking a photograph — the navy energy is in all places.
“The general public vacation on 20 January 1971 was a day that had no finish. It took us a very long time to know why that day existed and why it was the way in which it was.” — Excerpt from Marcelo Rubens Paiva’s e-book I am Nonetheless Right here.
One other factor about this primary half hour that makes what comes subsequent painful is the way it showcases Rubens’ relationship with every of his youngsters: taking part in a recreation of foosball with Marcelo (Guilherme Silveira because the youthful Marcelo, Antonio Saboia as his grownup model), “hiding” Babiu’s (Cora Mora, Olivia Torres) tooth on the seaside, dancing with Veroca (Valentina Herszage, Maria Manoella) throughout her farewell get together, holding Eliana (Luiza Kosovski, Marjorie Estiano) whereas the adults discuss, and eventually, a second earlier than being taken by the brokers, saying goodbye to Nalu (Barbara Luz, Gabriela Carneiro da Cunha) whereas she clothes his shirt. Selton Mello is resonant as Rubens, this sturdy, heat determine that irradiates vitality to everybody till the curtains of the home are forcibly closed by the navy brokers and he’s taken, and his chemistry with the solid, particularly with Torres, is a particular a part of why this film works so effectively.
A couple of hours after Rubens is gone, Eunice and Eliana are taken for questioning too, and horror unfolds. What we see is ugly, sure — the screams, the blood washed away, the disadvantaged sleep, and all of the violence — however what we don’t see, the issues which might be solely implied and left for creativeness, they set up a dwelling nightmare. Torres does heavy, good appearing work throughout this half, and when Eunice is launched after days of torture, throughout her first bathe after jail — that’s when Torres begins hitting all the precise notes scene after scene in a mesmerizing and devastating means.
Eunice has rather a lot to take care of: the captors are denying Rubens’ jail, they refuse to acknowledge what was achieved to him and the place he’s; the financial institution received’t let Eunice withdraw some cash from his account to her despair — not solely does she has 5 youngsters to lift, however the payments received’t cease coming. There may be additionally Zezé (Pri Helena), the Paiva’s housekeeper who takes care of the kids after Eunice and Rubens are taken; it’s been months since her final fee, and Eunice can’t afford her providers anymore. Then Pimpão, the little canine adopted when the film began, dies, and one afternoon Eunice is hit by the reality: Rubens isn’t returning.
One of many household associates confirms it: he’s useless, and their on a regular basis life is now up to now. This offers house for Torres to carry out a number of the greatest scenes of the film, as this self-contained lady who’s deeply harm and struggling in silence, so she will be able to’t communicate freely; her eyes inform the entire story. Fernanda Torres’ tour de drive efficiency is one for the ages, the perfect and most magnetic of the yr, and Eunice’s quiet fury and delicate fierceness maintain this film till the final minute when she’s performed by Torres’ mom Fernanda Montenegro in a devastating, unforgettable scene led by an actress with a radical command of her skills.
I am Nonetheless Right here. Pictured: Fernanda Torres as Eunice. All Rights Reserved
As soon as Veroca returns from Europe, nearly every thing is settled: they now not have a housekeeper, their home was bought, and they’re transferring to São Paulo. The kids don’t take the information very effectively; it’s value mentioning that a few of them nonetheless hope their father is returning. In spite of everything, Eunice doesn’t inform them straight away that she is aware of Rubens is useless. That is vital, by the way in which. Rubens didn’t inform Eunice concerning the letters as a result of he didn’t wish to harm Eunice and the kids. Eunice hides the disagreeable truths from the kids — she doesn’t discuss concerning the time she was tortured and avoided residence, and he or she doesn’t about what occurred to Rubens. And isn’t this how a few of us deal with not solely this darkish time of our nation but additionally brutal components of our Historical past? The conversations are prevented, there’s hope every thing shall be forgotten quickly — and there’s a lot silence.
If something, I’m Nonetheless Right here is a story of the significance of reminiscence — we have to keep in mind what occurred, and this previous have to be revered — but additionally concerning the significance of the little issues that may set off reminiscence, like previous pictures, videotapes, letters, and even official paperwork, all of them play a component right here, and their presence all through the film reinforces the central position of reminiscence in the case of going by way of darkish instances.
I am Nonetheless Right here. Pictured: Fernanda Torres as Eunice, Luiza Kosovski as Eliana, Guilherme Silveira as Marcelo, Cora Mora as Babiu, Valentina Herszage as Veroca, Barbara Luz as Nalu. All Rights Reserved
Directed by Walter Salles, with a screenplay by Murilo Hauser and Heitor Lorega, I’m Nonetheless Right here earned a righteous place within the highlight throughout this awards season as this nice, gut-wrenching drama — particularly after a historic Golden Globes win for Fernanda Torres. It’s pretty that Torres and this film additionally obtained Oscars nominations, form of recreating the 1999 situation with Montenegro and Salles’ Central Station. One good factor concerning the visibility this has been getting is how it may be a gateway to different Brazilian or Latin American films, associated or to not dictatorships occurred in the course of the Chilly Struggle — trying solely to Torres’ numerous filmography, Bruno Barreto’s 4 Days in September (1997), Eduardo Coutinho’s Enjoying (2007), and Jorge Furtado’s Fundamental Sanitation, the Film (2007) are nice suggestions that go from political drama to comedy crowd-pleaser.
One other fascinating factor about it’s the reflection of how a lot battle it takes to seek out justice and to battle injustices, and the way straightforward it’s for the tide to show and what we name democracy to be misplaced. Eunice needed to battle a lot for the acknowledgment of Rubens’ dying. There’s a scene simply after Eunice will get Rubens’ dying certificates wherein a reporter asks Eunice one thing alongside the strains of “does not the federal government have extra pressing issues to do than remediate the previous?” and the reply is no. After its final scene, the film tells us that the navy drive confessed to murdering Rubens many years later; but, none of them had been arrested for what they did. Rubens Paiva was a former congressman on the time of his abduction, the Paiva household had some contacts and a few affect; but, all of this occurred to them. On this sense, I am Nonetheless Right here is an invite to consider the numerous different households that lived comparable tales throughout this navy dictatorship, going through comparable horrors and comparable endings — it is perhaps as effectively a option to keep in mind all these victims, might they by no means be forgotten.
I am Nonetheless Right here is on the market in Brazil, the US, UK and Irish cinemas, and lots of different international locations in Europe and Latin America.
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