The world acquired the very unhappy information in the present day that Frank Kozik, a person maybe finest identified for his unimaginable music posters of the Nineties, has handed away.
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Yesterday
Kozik’s social media channels shared this assertion earlier in the present day:
WE ARE DEVASTATED TO INFORM YOU THAT FRANK KOZIK PASSED AWAY UNEXPECTEDLY THIS PAST SATURDAY.
FRANK WAS A MAN LARGER THAN HIMSELF, AN ICON IN EACH OF THE GENRES HE WORKED IN. HE DRAMATICALLY CHANGED EVERY INDUSTRY HE WAS A PART OF. He was a CREATIVE FORCE OF NATURE. WE ARE SO BEYOND LUCKY AND HONORED TO HAVE BEEN PART OF HIS JOURNEY, AND HE WILL BE MISSED BEYOND WHAT WORDS COULD EVER EXPRESS.
HE LOVED HIS WIFE, HIS CATS, CLASSIC MUSCLE CARS, MENTORING OTHERS, AND DISNEYLAND. HIS FORCEFUL PRESENCE WILL BE MISSED BY ALL WHO KNEW HIM. HIS LEGACY, LIKE ALL GREAT MASTERS, WILL LIVE ON THROUGH HIS ART AND OUR MEMORIES OF HIM.
MORE INFO ON A MEMORIAL SERVICE WILL COME SOON.
FOR NOW, WE ASK YOU PLEASE RESPECT OUR PRIVACY DURING THIS TRYING TIME.
WITH LOVE,
SHARON AND THE CATS
Whereas finest identified to a wider viewers for his live performance and poster artwork, having labored with principally each good band with loud guitars from the Nineties—from Nirvana to Stone Temple Pilots to Pearl Jam to Helmet to the Melvins (who he additionally did plenty of album covers for)—Kozik additionally left an enduring legacy on the music business itself having based Man’s Spoil Data in 1994, a label which was house to bands like Kyuss, Queens of the Stone Age and Excessive on Fireplace earlier than closing up in 2001.
He was additionally distinguished within the vinyl toy market, having labored as chief artistic officer at Kidrobot—champions of the scene within the 00’s—after the corporate was purchased by NECA after barely avoiding chapter again in 2014.
As a tribute to the person—whose work is hanging literally right next to my chair as I type this—right here’s a group of a few of his finest posters:
