When The Starvation Video games: Ballad of Songbirds & Snakes comes out this week, it’ll have some fairly large footwear to fill. Not solely does it have to beat the huge gap left behind by Jennifer Lawrence, whose efficiency within the unique Starvation Video games sequence catapulted the actress to superstardom virtually in a single day, however the brand new movie should additionally work out find out how to high the motion and spectacle of Catching Fireplace — one of the best entry within the franchise. In any other case, what’s the purpose?
That’s the issue with prequels. They need to cling to earlier installments whereas presenting one thing new and never overshadowing vital occasions from later movies. In any other case, you danger diminishing the influence of iconic characters. On this case, Katniss Everdeen, whose immense sacrifices introduced in regards to the finish of the titular Starvation Video games.
I commend anybody courageous sufficient to deal with such an not possible activity and hasten to level out different filmmakers who tried and did not succeed on the identical path, specifically George Lucas, Peter Jackson, and Ridley Scott, amongst others. Certain, crafting a stable prequel is a potential — see The Godfather Half II — however simply unlikely.
Particularly when the image you’re making an attempt to match is nearly as good as Catching Fireplace. I imply that. Catching Fireplace, the second installment in The Starvation Video games, is unimaginable. Taut, well-acted, superbly paced, and bleak as hell, Francis Lawrence’s epic does what each nice sequel must do — develop the world and its inhabitants, up the stakes established within the unique, and depart the viewers begging for extra.
Examine. Examine. Examine.
I’m sometimes no fan of the “younger grownup novel” style. Movies like Percy Jackson, The Maze Runner, and Divergent are predictable ventures that depend on well-worn tropes, foolish love triangles, and a gimmicky hook to dazzle followers. Whereas Starvation Video games definitely leans on all these traits, writer Suzanne Collins makes use of the formulation to discover headier themes about battle, PTSD, and the cyclical nature of violence. Typically, she toys with viewers expectations, zigging when everybody expects her to zag — like Katniss. That’s what made Mockingjay (and its movie variations) such a deal with. Moderately than ship a paint-by-numbers finale, Collins skirted previous the anticipated joyful ending and allowed the psychological trauma skilled by Katniss and Peeta to linger like a illness.
Catching Fireplace works as a result of it refuses to provide audiences what we count on. The primary act touches on the optimistic and detrimental influence of Katniss’ actions within the Starvation Video games and presents her as a flawed lady overwhelmed with fame and rising duty. All she did was survive and act like an honest human being. Now, immediately, she’s the image of a rebel she desires nothing to do with. Everybody strives to maintain her alive, not as a result of they care about her, however as a result of they want her.
Think about if Dumbledore used Harry Potter to promote wizarding battle bonds.
Ultimately, characters like Finnick Odair (Sam Claflin) and Johanna Mason (a feisty Jena Malone) respect Katniss. But, as Haymitch (Woody Harrelson) factors out, she’s the least likable individual within the room — she simply occurs to be braver than Davy Crockett. I imply, she spends 85% of Catching Fireplace in a suicidal rage, urging anybody who will pay attention to save lots of poor, helpless Peeta.
She’s removed from good. At one level, she begs Gale (Liam Hemsworth) to run away along with her, hoping to bypass the battle altogether. She even obeys President Snow (Donald Sutherland) and goes on tour, hoping a pretend romance with Peeta will cease the violence. In Katniss’ eyes, all that issues are these closest to her, which mockingly kick-starts the worldwide revolution.
Lengthy story brief: I like Katniss, not simply because Jennifer Lawrence performs her. The character endears as a result of, effectively, she’s a traditional, relatable human being. (Captain Marvel ought to take notes.) Catching Fireplace pushes Katniss straight into Hell, dragging her by way of an infinite array of trauma, violence, and psychological torture. She narrowly survives, even with the assistance of others, and is left damaged, like Luke Skywalker on the finish of The Empire Strikes Again. I respect the battle.
Then there are the video games. Proper off the bat, you’ll be able to inform Catching Fireplace’s manufacturing obtained an enormous pay increase based mostly on the slick designs of the hovercrafts zipping over District 12. Once we lastly attain the video games, Francis Lawrence pulls out all of the stops with intense set items that get weirder every minute. Mutt monkeys? Big waves? Birds that mimic the voices of family members? Blood rain? Killer smog? An enormous rotating clock that spins each thirty minutes? Lawrence permits us to really feel the shock and ache of every Tribute’s loss of life by giving these moments time to breathe. His gradual, meticulous path, aided by Jo Willems’ sharp cinematography, slowly ratchets the stress, constructing in direction of a stunning cliffhanger that naturally makes you need to leap into the subsequent chapter.
Surprises abound, twists are, uh, twisted, and alliances kind. Whereas Catching Fireplace is principally a bridge to Mockingjay, the sequel nonetheless manages to captivate with its grandiose set items and introspective character growth. The sprawling solid — Elizabeth Banks, Lenny Kravitz, Philip Seymour Hoffman (in his remaining position), Jeffrey Wright, and Stanley Tucci — solely provides to the flavour, leading to a moderately tasty Thanksgiving blockbuster.
Look, I hope Ballads of Songbirds & Snakes knocks it out of the park. The trailers look nice, the solid appears advantageous, and President Snow’s backstory presents a compelling sufficient motive to lure us again into the violent world of Panem. I’m intrigued, however everybody concerned ought to have left effectively sufficient alone.
Regardless of its imperfections, The Starvation Video games sequence and Catching Fireplace are fascinating character research that stand out from different younger grownup variations. Its gripping storyline and characters have but to seek out an equal. Ballad of Songs & Snakes would possibly come shut and surpass the unique Starvation Video games and Mockingjay by way of leisure worth, but it surely’ll be onerous to high Catching Fireplace. Because the embers of the Mockingjay proceed to burn within the hearts of followers, the second chapter stays a strong testomony to the enduring influence of this dystopian saga on the cinematic panorama.
